Ambika Subra

Creative Director, Screenwriter, Founder, Set Designer,
Art Director, Graphic Artist, Storyteller

Based in Mexico City and New York, Ambika has worked across various fields – from film/television to contemporary art, metaphysics, design, and complex systems. Most of her research focuses on cross-industry interconnectedness and horizontal, decentralized networks. She studied film, architecture, and philosophy at Washington University in St. Louis and Chelsea College of Art and Design, London. A classically trained Bharatanatyam dancer, she studied under masters Sir Adyar K. Lakshman, Smt. Padmini Chari, and V.P. and Shanta Dhananjayan.
As a set designer, art director, and graphic artist, her work can be seen in Aaron Sorkin’s “Trial of the Chicago 7”, AppleTV’s “WeCrashed,” HBO’s “The Deuce,” HBO’s “The Flight Attendant, and more. Ambika was also one of the 5 artists behind the collective Badlands Unlimited, founded by MacArthur Genius Grant recipient Paul Chan. (links to the left)

After developing a proposal for a technological-creative hub between Hudson Yards (NY) and the disruption-thinktank RethinkX, Ambika extended a similar concept of multidisciplinary collaboration / technology into the film industry.
She has since co-founded Tocaya Films alongside director Monica G. Carter in Mexico City. A film collective studio, Tocaya expands film beyond the screen into the real, and into community. By connecting the genre of film to a multi-disciplinary system (tech, dance, education, interactive design), Tocaya’s stories operate in the grey-area that exists between poles, between genres, away from categorical echo-chambers. We embrace the discomfort of the unknown, understanding that its a point of universality where cultures intertwine and evolve as an organism.
Ambika is also a co-founder of Beitna, the first Palestinian cultural center of Mexico City.

Tocaya Films

b. 1992; based in CDMX and ny
iatse 829 - Scenic design

Skills:
Adobe Creative Suite: Illustrator, Photoshop, Acrobat, InDesign, AfterEffects, Audition, PremierePro; Figma; Vectorworks; TextWrangler; Midjourney, Wordpress, Cargo, Sora.ai, Runway.ai; Final Cut Pro; Final Draft; SketchUp 3D; Fluent in Spanish and English

Education

2015 - MA Fine Art, Chelsea College of Art and Design, London, UK, with Honors (focus on complex systems)
2014 - BFA Film Theory and Sculpture, summa cum laude, Washington University in St. Louis

Work

Present

Tocaya Films, CDMX - Co-founder, Creative Director, Screenwriter

Pimienta Films, CDMX - Freelance Executive Producer

2024

University of Alabama Medicine
Graphic Designer for NIH Grants

People of the West, Doc Series, Los Angeles - Graphics

MXC, CDMX - Creative Director

University of Alabama

-

Graphic Artist for Grants, Informational Graphics

2023

Connescence, Feature Film, New York - Graphics
Origin, Feature Film by Ava Duvernay, Georgia - Art Director, Graphics

2022
Run The World, Lionsgate/Starz, New York - Graphics

Eileen, Feature Film by William Oldroyd, New York - Graphics

2021

Florida Man, Netflix, North Carolina - Set Designer
Equalizer S2, NBC, New York - Graphics
WeCrashed, AppleTV, New York - Graphics

2020

Equalizer, NBC, New York - Graphics
Colin in Black and White, Netflix, New York - Set Designer
Kal Penn Approves This Message, Freeform, New York - Production Designer
The Flight Attendant, HBO, New York - Set Designer / Graphics / Art Director
2019
Mrs. America, FX, New York - Art Director (S1, E2)
The Trial of the Chicago 7, Feature Film by Aaron Sorkin, New York - Set Designer
The Wilds, Amazon TV, New Zealand - Set Designer
The Deuce, Created by David Simon and George Pelecanos, HBO, New York - Graphics, Art Director, Set Designer
2018
City Morgue, “Lamborghini Getaway” and “Caligula” Music Videos, NY - Production Designer
Charm City Kings, Feature Film by Angel Manuel Soto, Baltimore - Graphics
Tigertail, Feature Film by Alan Yang, New York - Art Director
Before You Know It, Feature Film by Hannah Utt, New York - Art Director
Aloe Blacc, “Brooklyn in the Summer” Music Video, NY - Production Designer
Red Bull Music Festival, Solange Knowles / Teyana Taylor / Serpent with Feet - Set Designer

Sunlit Night, Feature Film by David Wnendt, New York - Graphics
2017
Monsters and Men, Feature Film by Ronaldo Marcus Green, New York - Graphic Designer and Set Designer
2015-17
Badlands Unlimited, New York - CFO and Head of Research and Development, Assistant Editor

Books

“Selected Writings of Carroll Dunham,” by Carroll Dunham; Edited by Paul Chan, Assistant Edited by Ambika Subramaniam; Published by Badlands Unlimited, 2017
“Fantasian,” by Larissa Pham; Edited by Micaela Durand, Parker Bruce, and Ambika Subramaniam; Published by Badlands Unlimited, 2016.
“Indignant,” by William Loftie (M. Casey); Edited by Ambika Subramaniam; Published by SUB/SUR Editions,
“Return of the Super Maria Sisters,” by Ambika Subramaniam; Edited by Dr. Dan Smith; Published by Sub-Concrete Press; SUB/SUR Editions; Hato Press, 2015

Awards / Exhibitions

2021
Art Directors Guild Awards -- Nominee, Excellence in Production Design, Period Film for “The Trial of the Chicago 7” by Aaron Sorkin
Art Directors Guild Awards -- Nominee, Excellence in Production Design, One Hour Television Series for “The Flight Attendant” Episode 106 “After Dark”
2019
Greene Naftali, “Publish & Perish: 8 Years of Badlands Unlimited, New York, NY”
2017
Whitney Museum of American Art, “An Incomplete Protest: ‘New No’s’ By Badlands Unlimited”
2016
Book Works Semina Series 2016-2017 (manuscript shortlisted)
2015
Clifford Chance Exhibition Design Award, University of the Arts, London (nomination)
2015
Unstitute, Spatio-Mnemonic Digital Residency
2014
John T. Milliken Residency Grant, from Cité Internationale des Arts in Paris, France
2014
Caroline Risque Janis Prize in Art and Design
2014
Sam Fox Award in Art and Design - Washington University in St. Louis

Articles and Reviews

2017 - Badlands Unlimited, Publisher’s Weekly, Review of “Into Words: The Selected Writings of Carroll Dunham”
2017 - Badlands Unlimited, ArtReview, March 2017, “What kind of art is being spawned in the place that spawned Trump?”
2017 - Badlands Unlimited, Mousse Magazine, Issue 57, “What do we know?”
2017 - Badlands Unlimited, Dazed Digital, “Facebook bans controversial anti-Trump protest posters”
2016 - Badlands Unlimited, NYTimes “Best Art of 2016” for the work “New No’s”
2015 - London Journal of Critical Thought, “Digital Ontologies”
2014 - It’s Nice That, “Furniture Design: Ambika Subramaniam”
2014 - Temporary Art Review, “Of Zebraification: A Review of Cousins Presents ‘Faceless’”